Unbelievably super cool!
That's how Michael describes our pedals, and that's how we'll describe his Collider Delay+Reverb review. Michael dials in a sweet, Marshall-y distorted tone and runs the Collider in front of two amps, and is still able to create lush, studio quality tones. During his plunge into the engines, Michael lays down some licks and tones that traverse decades, showcasing some 60s spring tones, a very convincing 70s EVH-style plate reverb tone, and some gnarly 80s digital delay + hall reverb sounds that'll make you start looking around his room for those rack effects. Spoiler: they're not there!
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Michael Nielsen Shreds Up the Collider...In a Good Way
